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Fowler, C., “Aboriginal Beauty and Self-Determination: The Photographic Projects of Hulleah Tsinhnahjinnie” in Visualities: Perspectives on Contemporary American Indian Film and Art, Cummings, D. (ed), Michigan State University Press, East Lansing.
                 
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Holt, Rinehart & Winston, Holt Literature & Language Arts, Austin.

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Passalacqua, V., “Hulleah J. Tsinhnahjinnie: Portraits Against Amnesia”, Public/Private: Tumatanui/Itiatamut, Auckland Art Gallery, Auckland, NZ.

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Lippard, L., On the Beaten Track, The New Press, New York.

Squiers, C., ed., Over Exposed:  Essays on Contemporary Photography, The New Press, New York.

Mikolaj, H.M., Altering the Discourse, Joseph Gross Gallery, Tucson.

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Denker, D., “Photographer Tells Stories with Her Work”, Wind Speaker, vol.16, no.11, March.

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Rickard, J., “Sovereignty: A Line in the Sand”, Strong Hearts: Aperature, New York, Summer: 20-32.

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Tremblay, G., “Reflection on ‘Mattie Looks for Steve Biko’: a Photograph by Hulleah Tsinhnahjinnie”, Partial Recall, The New Press, New York.

Fost, D., “Art in Honor of their Ancestors”, Marin Independent Journal, San Rafael, CA, October 13.

Harlan, T., Ancestral Memories, Falkirk Cultural Center, San Rafael, CA

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Lasco, S.R., “Native American Artists Keep Art in the Family”, San Francisco Arts Monthly, vol.1, no.5, August.

Lineberry, H., “Return of the Natives”, New Times, July 4.

Pyne, L., “Heard to Focus on Indian Photographers”, The Phoenix Gazette, June 15.

Daley, V., “Rare View of Indian Culture: From Inside”, Sacramento Bee, July 8.

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McWillie, J., “The Migrations of Meaning”, Visions, vol.3, no.4, Fall.